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The inside of the complete castle was redesigned in an NS-specific mythological way. SS architect Hermann Bartels presented a first draft of plans that envisioned using the North Tower on three different levels:.

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However, a meeting in the first floor mosaic room never occurred—the building work at the room was stopped in In , when the "final victory" didn't materialize, the castle was partially blasted and set on fire by the SS, but the two redesigned rooms in the North-Tower stayed intact. Usually the room where the sun wheel is placed can only be viewed from the outside, through a lattice door. Due to the lighting conditions, the mosaic in the floor looks black and not green - a possible reason for the name "Black Sun".

It is not known whether this symbol was placed in the marble floor at Wewelsburg before or after the National Socialist Regime and the taking over of the castle by Himmler.

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There is speculation as to whether the symbol was put into the hall by the Nazis or whether it was there a long time before but there is no definitive proof either way. It must be noted that the book sold by the Wewelsburg museum on the history of the castle from to makes no mention of who put it there.

Scholars today are reluctant to say with any certainty why it was put there, or by whom. There is, although its origins are unknown, an identical rendition of the Wewelsburg Schwarze Sonne in a wall painting at a World War II military bunker memorial to Otto von Bismarck in Hamburg below a statue of Bismarck. The "Black Sun" is often associated with the mystic-esoteric aspects of National Socialism. Origin of a phantastic post war "SS mysticism" which refers to the "Black Sun" is a right-wing esoteric circle in Vienna in the early s.

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The former SS member Wilhelm Landig of the Vienna Circle "coined the idea of the Black Sun, a substitute swastika and mystical source of energy capable of regenerating the Aryan race" [30]. Rudolf J. Mund also a former SS member and later also member of the Vienna Circle discusses a relationship of the Black Sun with alchemy. The visible sun is described as a symbol of an invisible anti-sun: "Everything that can be comprehended by human senses is material, the shadow of the invisible spiritual light.

Black Sun (occult symbol)

The material fire is - seen in this way - also just the shadow of the spiritual fire. Another interpretation is that the symbol incorporates twelve reversed "Sig runes" of the Armanen runes. Allegedly, the design was drawn for Heinrich Himmler from an "old Aryan emblem", [32] and was meant to mimic the Round table of Arthurian legend with each spoke of the sun wheel representing one "knight" or Officer of the "inner" SS. According to James Twining, "The symbol of the Black Sun unites the three most important symbols of Nazi ideology - the sun wheel, the swastika and the stylized victory rune.

An image in Elemente , No.

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His upheld sword proclaims the struggle for "rebirth of Europe" against the "holocaust of peoples on the altar of multiculturalism. The issue devoted to 'Midnight' shows two sombre knights standing guard beneath the sun wheel symbol. In , the paramilitary organization Guardia Nazionale Italiana used a Black Sun Symbol as part of the group's uniform. The symbol has been used by a variety of esotericists; for example, as the name of the well-known Black Sun Press of New York City as well as the official symbol of the occult group Black Order of the Theozoa.

Occasionally, and unscientifically, black dwarfs are referred to as black suns.

Wewelsburg mosaic

This is not entirely unrelated to the esoteric meaning, since ariosophy alleges a burnt out sun that was the source of power of the Aryans in some mystical past. Others regard the Black Sun as a black hole; before the term black hole was invented in , black holes then still theoretical were sometimes called black stars or dark stars. Still others, such as Miguel Serrano , think of the Black Sun as a wormhole. The Order is openly ethnonationalist and racialist , and rejects race-mixing as a modern degeneration.

Schleipfer had discovered some of List's works in an antique bookstore in the mids, and was inspired to found the runic and Armanist magazine Irminsul [2] in hopes of attracting suitable people for a revived Listian order. He was appointed the new president and continued to publish Irminsul as the "Voice of the Guido von List Society. Hans Wilhelm Hammerbacher.

The Armanen-Orden celebrates seasonal festivities in a similar fashion as Odinist groups do and invites interested people to these events. The highlights are three 'Things' at Ostara Easter , Midsummer and Fall Wotan's sacrificial death , which are mostly celebrated at castles close to sacred places, such as the Externsteine.

On this a 4 ft. The participants are seated in a semi-circle in front of the table, the front row being occupied by Order members clothed in their ritual garb black shirts for the men and long white dresses for the women; both have the AO emblem sewn on them … after several invocations the 'spirit flame', symbolising Odin in the spirit world, is lit in a bowl filled with lamp oil.

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The purpose of this cultic celebration is the portrayal of Odin's concentration from spirit into matter. After a recital of the first part of Odin's rune poem from The Edda, the "blood sacrifice" commences, in which a bowl with animal blood is raised to the beat of a gong and an invocation of sacrifice.

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Then Odin is called into the realm by the participants who assume the Odal rune stance, whisper 'W-O-D-A-N' nine times and finally sing an ode to Odin with the following words: 'Odin-Wodan come to us, od-uod, uod'. Wodan's sacrifice to himself is symbolised by extinguishing the flame.

In Sigrun Schleipfer founded the Gemeinschaft zur Erhaltung der Burgen Society for the Conservation of Castles , which proclaims castles to be among the "last paradises of the romantic era" in this cold modern age and had as its primary aim the purchase and restoration of a castle for the Order. In , the society finally acquired the castle of Rothenhorn in Szlichtyngowa Poland , a run-down structure dating back to the 12th century, though most of the complex dates from the 16th century.

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Over many years, Adolf and Sigrun have republished all of List's works and many others relating to the Armanen runes in their original German. Adolf Schleipfer has also contributed an article to The Secret King , a study of Karl Maria Wiligut by Stephen Flowers and Michael Moynihan , in which he points out the differences between Wiligut's beliefs and those which are accepted within Odinism or Armanism. Schleipfer re-published all of Guido von Lists works and many other Armanen runes related works in their original German.